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Faculty Bookshelf

English


Patricia Robertson

Hour of the Crab. Goose Lane, 2021.

Patricia Robertson’s new collection of short fiction, Hour of the Crab, is a work of insight and mastery, each story demonstrating an original vision, intriguing characters, and sophisticated skill.
Readers will travel with Robertson’s vivid characters, sharing their journeys, their challenges, their complicated choices. They will also discover other worlds — from an eleventh-century monastery in France to a near-future British Columbia where apocalyptic wildfires seem to be never-ending.

James Scoles

The Trailer. Signature Editions, 2021

The Trailer explores the subtle art of balancing life on the edge of a city--indeed, perched precariously, metaphorically on the fringe of society--not exactly following a script for keeping up with the Joneses. The experiences of love and loss while living on that (not exactly) sharp edge build the foundation in this collection. Stylistically, the poems vary as they dig through the detritus daily to reveal the joy, beauty, and humour within the world of thin tin-walled hope and melamine dreams of a mobile home, of a live lived lagging just a little behind.


Candida Rifkind

Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage. Edited by Dominic Davies and Candida Rifkind. Palgrave, 2020.

Why are so many contemporary comics and graphic narratives written as memoirs or documentaries of traumatic events? Is there a specific relationship between the comics form and the documentation and reportage of trauma? How do the interpretive demands made on comics readers shape their relationships with traumatic events? And how does comics’ documentation of traumatic pasts operate across national borders and in different cultural, political, and politicised contexts?

The sixteen chapters and three comics included in Documenting Trauma in Comics set out to answer exactly these questions. Drawing on a range of historically and geographically expansive examples, the contributors bring their different perspectives to bear on the tangled and often fraught intersections between trauma studies, comics studies, and theories of documentary practices and processes. The result is a collection that shows how comics is not simply related to trauma, but a generative force that has become central to its remembrance, documentation, and study.

 Jenny Heijun Wills

adoptation and multiculturalism

Adoption and Multiculturalism: Europe, the Americas, and the Pacific, University of Michigan Press, 2020.

Adoption and Multiculturalism features the voices of international scholars reflecting transnational and transracial adoption and its relationship to notions of multiculturalism. The essays trouble common understandings about who is being adopted, who is adopting, and where these acts are taking place, challenging in fascinating ways the tidy master narrative of saviorhood and the concept of a monolithic Western receiving nation. Too often the presumption is that the adoptive and receiving country is one that celebrates racial and ethnic diversity, thus making it superior to the conservative and insular places from which adoptees arrive. The volume’s contributors subvert the often simplistic ways that multiculturalism is linked to transnational and transracial adoption and reveal how troubling multiculturalism in fact can be.


Jonathan Ball

the lightning of possible storms

The Lightning of Possible Storms. Book*hug Press, 2020

Aleya’s world starts to unravel after a café customer leaves behind a collection of short stories. Surprised and disturbed to discover that the book has been dedicated to her, Aleya delves into the strange book…

A mad scientist seeks to steal his son’s dreams. A struggling writer, skilled only at destruction, finds himself courted by Hollywood. A woman seeks to escape her body and live inside her dreams. Citizens panic when a new city block manifests out of nowhere. The personification of capitalism strives to impress his cutthroat boss.

The more Aleya reads, the deeper she sinks into the mysterious writer’s work, and the less real the world around her seems. Soon, she’s overwhelmed as a new, more terrifying existence takes hold.


Jenny Heijun Wills

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Older Sister. Not Necessarily Related, McClelland & Stewart, 2019.

Winner of the 2019 Hilary Weston Writers' Trust Prize for Nonfiction

A beautiful and haunting memoir of kinship and culture rediscovered.


Jenny Heijun Wills was born in Korea and adopted as an infant into a white family in small-town Canada. In her late twenties, she reconnected with her first family and returned to Seoul where she spent four months getting to know other adoptees, as well as her Korean mother, father, siblings, and extended family. At the guesthouse for transnational adoptees where she lived, alliances were troubled by violence and fraught with the trauma of separation and of cultural illiteracy. Unsurprisingly, heartbreakingly, Wills found that her nascent relationships with her family were similarly fraught.


Andrew Burke

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Hinterland Remixed: Media, Memory, and the Canadian 1970s. McGill-Queen’s University Press, 2019.

An examination of the legacy and cultural afterlife of the Canadian 1970s in film, television, and the visual arts.

Like the flute melody from Hinterland Who's Who, the 1970s haunt Canadian cultural memory. Though the decade often feels lost to history, Hinterland Remixed focuses on boldly innovative works as well as popular film, television, and music to show that Canada never fully left the 1970s behind.

Andrew Burke reveals how contemporary artists and filmmakers have revisited the era's cinematic and televisual residues to uncover what has been lost over the years. Investigating how the traces of an analogue past circulate in a digital age, Burke digs through the remnants of 1970s Canadiana and examines key audiovisual works from this overlooked decade, uncovering the period's aspirations, desires, fears, and anxieties. He then looks to contemporary projects that remix, remediate, and reanimate the period. Exploring an idiosyncratic selection of works - from Michael Snow's experimental landscape film La Région Centrale, to SCTV's satirical skewering of network television, to L'Atelier national du Manitoba's video lament for the Winnipeg Jets - this book asks key questions about nation, nostalgia, media, and memory.

A timely intervention, Hinterland Remixed demands we recognize the ways in which the unrealized cultural ambitions and unresolved anxieties of a previous decade continue to resonate in our current lives.


Catherine Hunter

st boniface elegies cover

St. Boniface Elegies by Catherine Hunter, published in 2019 by Signature Editions. Cover art by the late Cliff Eyland, book design by Melody Morrissette.

This collection of poems includes work that explores the soul of the city of Winnipeg, the writer's travels, and elegies upon the death of the writer's beloved husband. Winner of the 2020 Lansdowne Prize for Poetry, it was also a finalist for the Governor General's Award for Poetry, the High Plains Book Award for Poetry and Manitoba Book of the Year.


Jonathan Ball

the national gallery

The National Gallery. Coach House Books, 2019

Jonathan Ball’s fourth poetry book, the first in seven years, swirls chaos and confession together. At the book’s heart is a question: Why create art? A series of poetic sequences torment themselves over this question, offering few answers and taking fewer prisoners.

A startling diversity of styles and subjects feed into the maelstrom of The National Gallery, and its dark currents will draw you in to drown.


Heather Milne

social poesis cover

Social Poesis: The Poetry of Rachel Zolf. Wilfrid Laurier University Press, 2019.

Social Poesis introduces readers to the work of one of Canada’s most exciting and challenging poets. Through selections from across Rachel Zolf's poetic oeuvre, this book foregrounds the philosophical, ethical, and political questions that inform Zolf's poetry. Selections range from early poems in which Zolf explores transhistorical trauma and queer subjectivity to more recent writings that examine militarism, settler colonialism, and other forms of state-sanctioned violence. Zolf’s poetry enacts what she calls a “social poesis”; she is attuned to questions of ethical responsibility and the role, and limitations, of poetry as a tool for ethical thinking, political engagement, accountability, and bearing witness.

Heather Milne's introduction examines Zolf's compositional strategies, tracing the evolution of Zolf’s writing from an autobiographical poetics, in which Zolf as subject/speaker is locatable, toward a poetics that moves beyond the self to address political and ethical relations among subjects of geopolitics and settler colonialism. In her afterword, Zolf focuses on her most recent work, in which poems are composed almost entirely from archival sources and enact a kind of collective assemblage of enunciation.


Seyward Goodhand

even that wildest hope

Even That Wildest Hope. Invisible Publishing, 2019.

Even That Wildest Hope bursts with vibrant, otherworldly characters—wax girls and gods-among-men, artists on opposite sides of a war, aimless plutocrats and anarchist urchins—who are sometimes wondrous, often grotesque, and always driven by passions and yearnings common to us all. Each story is an untamed territory unto itself: where characters are both victims and predators, the settings are antique and futuristic, and where our intimacies—with friends, lovers, enemies, and even our food—reveal a deeply human desire for beauty and abjection. Stylistic and primordial, Even That Wildest Hope is a chaotic and always satisfying fabulist journey in the baroque tradition of Angela Carter, Carmen Maria Machado, and Ted Chiang.


Heather Milne

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Poetry Matters: Neoliberalism, Affect, and the Posthuman in Twenty-First Century North American Feminist Poetics. University of Iowa Press, 2018.

Poetry Matters explores poetry written by women from the United States and Canada, which documents the social and political turmoil of the early twenty-first century and places this poetry in dialogue with recent currents of feminist theory including new materialism, affect theory, posthumanism, and feminist engagements with neoliberalism and capitalism. Central to this project is the conviction that a poetics that explores the political dimensions of affect; demonstrates an understanding of subjectivity as posthuman and transcorporeal; critically reflects on the impact of capitalism on queer, racialized, and female bodies; and develops an ethical vocabulary for reimagining the nation state and critically engaging with issues of democracy and citizenship is now more urgent than ever before. Milne focuses on poetry published after 2001 by writers who mostly began writing after the feminist writing movements of the 1980s, but who have inherited and built upon their political and aesthetic legacies. The poets discussed in this book—including Jennifer Scappettone, Margaret Christakos, Larissa Lai, Rita Wong, Nikki Reimer, Rachel Zolf, Yedda Morrison, Marcella Durand, Evelyn Reilly, Juliana Spahr, Claudia Rankine, Dionne Brand, Jena Osman, and Jen Benka—bring a sense of political agency to poetry. These voices seek new vocabularies and dissenting critical and aesthetic frameworks for thinking across issues of gender, materiality, capitalism, the toxic convergences of nationalism and racism, and the decline of democratic institutions. This is poetry that matters—both in its political urgency and in its attentiveness to the world as “matter”—as a material entity under siege.


Carla Manfredi

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Robert Louis Stevenson’s Pacific Impressions: Photography and Travel Writing, 1888-1894. Palgrave Studies in Nineteenth-Century Writing and Culture, Palgrave MacMillan, 2018.

This book tackles photography’s role during Robert Louis Stevenson’s travels throughout the Pacific Island region and is the first study of his family’s previously unpublished photographs. Cutting across disciplinary boundaries, the book integrates photographs with letters, non-fiction, and poetry, and includes much unpublished material. The original readings of photographs and non-fiction highlight Stevenson’s engagement with colonial ideology and reality and advance new arguments about Victorian travel, settlement, and colonialisms in the Pacific. Like the Stevensons, the book moves from the Marquesas to the atolls of the Gilbert Islands in Micronesia; from the Kingdom of Hawai‘i’s political ambitions to Samoan plantations and the Stevensons’ settlement at Vailima. Central to this study is the notion that Pacific history and Pacific Island cultures matter to the interpretation of Stevenson's work, and a rigorous historical and cultural contextualization ensures that local details structure literary and photographic interpretation. The book’s historical grounding is key to its insightful conclusions regarding travel, settlement, photography, and colonialism.


Kathleen Venema

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Bird-Bent Grass: A Memoir, in Pieces. Wilfrid Laurier University Press, 2018

Shortlisted for the Alexander Kennedy Isbister Award for Non-fiction.

Bird-Bent Grass chronicles an extraordinary mother–daughter relationship that spans distance, time, and, eventually, debilitating illness. Personal, familial, and political narratives unfold through the letters that Geeske Venema-de Jong and her daughter Kathleen exchanged during the late 1980s and through their weekly conversations, which started after Geeske was diagnosed with Alzheimer’s disease twenty years later.
In 1986, Kathleen accepted a three-year teaching assignment in Uganda, after a devastating civil war, and Geeske promised to be her daughter’s most faithful correspondent. The two women exchanged more than two hundred letters that reflected their lively interest in literature, theology, and politics, and explored ideas about identity, belonging, and home in the context of cross-cultural challenges. Two decades later, with Geeske increasingly beset by Alzheimer’s disease, Kathleen returned to the letters, where she rediscovered the evocative image of a tiny, bright meadow bird perched precariously on a blade of elephant grass. That image – of simultaneous tension, fragility, power, and resilience – sustained her over the years that she used the letters as memory prompts in a larger strategy to keep her intellectually gifted mother alive.

Deftly woven of excerpts from their correspondence, conversations, journal entries, and email updates, Bird-Bent Grass is a complex and moving exploration of memory, illness, and immigration; friendship, conflict, resilience, and forgiveness; cross-cultural communication, the ethics of international development, and letter-writing as a technology of intimacy. Throughout, it reflects on the imperative and fleeting business of being alive and loving others while they’re ours to hold.


Nora Decter

how far we go and how fast cover

How Far We Go and How Fast Orca Book Publishers, 2018.

How Far We Go and How Fast, a coming-of-age story set in Winnipeg's North End, tells the story of 16 year-old Jolene as she navigates a winter filled with loss. It won the 2019 Kobo Emerging Writer Award for literary fiction.


Di Brandt

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Glitter and Fall. Turnstone Press, 2018.

Shortlisted for the 2019 McNally Robinson Book of the Year Award Shortlisted for the Fred Cogswell Award for Excellence in Poetry

In this unusual collection, poet Di Brandt combines inter-continental transportation, literary re-translation and creative expression, to bring us ecstatic, inspired poems. Glitter & fall’s transinhalations of Laozi’s Dao De Jing, set in the Canadian prairies and highlighting aspects of the Divine Feminine, offer both homage to a venerable Chinese tradition and spiritual practice, and a renewed understanding of what these great poems might mean to us now.


Di Brandt

walking to mojacar

Walking to Mojacár. Turnstone Press, 2010.

Short-listed for the 2011 McNally Robinson Book of the Year
Short-listed for the 2011 Mary Scorer Award for Best Book by a Manitoba Publisher

Di Brandt forges new paths with her multi-faceted poetry, experimenting with traditional poetic forms in this new collection. Science and poetry fuse with sly wit and sleight of word in Welding and other joining procedures, the first of the collection's three sections. Human love becomes nuclear fusion and other scientific meldings with delightful tongue-in-cheek language.Hymns for Detroit employs the traditional German hymn to fuse the sense of place of an economically crushed city with current political and ecological climate: "Big trucks drive by/ on big noisy wheels./ Jesus saves./ Mummy said don't eat/ the fish,/ watch them on TV."The last section, Walking to Mojácar, transports readers to exotic eastern Spain bringing the Canadian experience with it. The Calgary Stampede meets the "sunblasted desert valleys" of southern Spain in "Rodeo." Vivid images of Spain juxtaposed with Brandt's prairie roots transport the reader to a world of olive groves, mesetas, flowers and bright colours.